裱褙，古代又稱作「裝池」，是中國用來美化和保護書畫的一項專門技藝。早在紀元前三世紀的戰國時代，即已略具卷軸形式的雛型，但裝池技術真正發展純熟，則必須晚至唐朝以後。北宋晚期，宮廷裡甚至設置專司裱褙的機構，並訂定書畫裝裱規格，影響所及，到明、清兩代，猶持續被沿用。本「書畫裝池之美」圖錄的設計，圖版均以全幅形式來印刷，有別於只印畫心的編排方式。陳述重點，亦聚焦於解析手卷、立軸、冊頁、成扇等不同裝池形式的特色。書末附錄，並羅列裝裱書畫常用的工具與材料，用供參考。 The mounting, or backing, not only preserves a work of painting or calligraphy, it can also enhance its beauty. As early as the third century BCE, du...(展开全部)

裱褙，古代又稱作「裝池」，是中國用來美化和保護書畫的一項專門技藝。早在紀元前三世紀的戰國時代，即已略具卷軸形式的雛型，但裝池技術真正發展純熟，則必須晚至唐朝以後。北宋晚期，宮廷裡甚至設置專司裱褙的機構，並訂定書畫裝裱規格，影響所及，到明、清兩代，猶持續被沿用。本「書畫裝池之美」圖錄的設計，圖版均以全幅形式來印刷，有別於只印畫心的編排方式。陳述重點，亦聚焦於解析手卷、立軸、冊頁、成扇等不同裝池形式的特色。書末附錄，並羅列裝裱書畫常用的工具與材料，用供參考。 The mounting, or backing, not only preserves a work of painting or calligraphy, it can also enhance its beauty. As early as the third century BCE, du...(展开全部)

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)

作者 [美]乔治·罗丽（George Rowley, 1893—1962），普林斯顿大学艺术与考古系教授，兼任该校艺术博物馆中国展区策展人。作为“普林斯顿学派”的奠基者，罗丽教授也是美国远东艺术史学科建立发展的重要影响者之一。 译者 马梦莹，北京大学艺术学院在读博士生，主要研究方向为中国宗教美术史、画学文献。